The British indie rock band Razorlight formed in London in 2002 around vocalist/guitarist Johnny Borrell and guitarist/vocalist (and Swedish ex-pat) Björn Ågnen. Joined by bassist Carl Dalemo and drummer Christian Smith-Pancorvo, the combo recorded several demos at London's Toe Rag studios, and those songs led to radio exposure and the initial stirrings of hype. Mercury Records signed Razorlight in 2003, and the group began recording its debut album amidst a series of hectic (and increasingly buzzworthy) club gigs, working with no less an authority than Steve Lillywhite.

Lillywhite soon left the project, but Razorlight continued to write and record the album while still wowing audiences with a spate of live dates, including a strong showing at the 2004 South by Southwest industry fest.

At this point, drummer Smith-Pancorvo left the group and was soon replaced by Andy Burrows. Thus reconfigured, Razorlight made their official album debut in August 2004 with Up All Night. The release was hailed for its stylish, fizzy mix of Strokes-styled sensibilities and post-Brit-pop cool. Additional show dates opening for the likes of Queen (with vocalist Paul Rodgers) and Oasis gave Razorlight some of their biggest audiences in 2005, adding to the bandmates' growing popularity in their native U.K.

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The band's second offering, a self-titled effort produced by Chris Thomas, arrived in summer 2006 and yielded Razorlight's first chart-topping single, "America."

The album itself also topped the U.K. charts, going multi-platinum in the process, and Razorlight maintained their presence on British radio throughout 2007 before embracing a slick, mainstream pop/rock style on 2008's Slipway Fires. ~ All Music Guide

Albums: (all albums produced by Vertigo)
Up All Night, 2004.
Razorlight, 2006.
Slipway Fires, 2008.

Source: Johnny Loftus

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Combining a love for British guitar pop songcraft with crunching power chords and a flair for the absurd, Cheap Trick provided the necessary links between '60s pop, heavy metal, and punk. Led by guitarist Rick Nielsen, the band's early albums were filled with highly melodic, well-written songs that drew equally from the crafted pop of the Beatles, the sonic assault of the Who, and the tongue-in-cheek musical eclecticism and humor of the Move. Their sound provided a blueprint for both power pop and arena rock; it also had a surprisingly long-lived effect on both alternative and heavy metal bands of the '80s and '90s, who also relied on the combination of loud riffs and catchy melodies.

Cheap Trick's roots lie in Fuse, a late-'60s Rockford, IL, band formed by Rick Nielsen and bassist Tom Petersson, who released an unsuccessful album on Epic in 1969. After the record failed to gain any attention, the band relocated to Philadelphia and changed their name to Sick Man of Europe. The group toured Europe unsuccessfully in 1972, returning to Illinois in 1973. Not long after their return to Rockford, Nielsen and Petersson changed their band's name to Cheap Trick, adding drummer Bun E. Carlos and vocalist Randy "Xeno" Hogan. Hogan was fired the following year and ex-folksinger Robin Zander joined the group. Between 1975 and the band's first album in 1977, Cheap Trick toured constantly, playing over 200 concerts a year, including opening slots for the Kinks, Kiss, Santana, AC/DC, and Queen. During this time, the band built up a solid catalog of original songs that would eventually comprise their first three albums; they also perfected their kinetic live show.

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Cheap Trick signed with Epic Records in 1976, releasing their self-titled debut in early 1977. The record sold well in America, yet it failed to chart. However, the group became a massive success in Japan, going gold upon release. Later that year, the band released their second album, In Color. It backed away from the harder-rocking Cheap Trick, featuring a slicker production and quieter arrangements that spotlighted the band's melodic skills. Due to their constant touring, the record made it into the U.S. charts, peaking at number 73; in Japan it became another gold-seller. The band realized that they were virtual superstars in Japan when they toured the country in early 1978. Their concerts were selling out within two hours and they packed Budokan Arena.

Cheap Trick's concerts at Budokan Arena were recorded for release -- the record appeared after their third album, 1978's Heaven Tonight. That third album captured both the loud, raucous energy of their debut and the hook-laden songcraft of In Color, leading to their first Top 100 single, "Surrender," which peaked at number 62. However, the live performances on At Budokan (1979) captured the band's energetic, infectious live show, resulting in their commercial breakthrough in the U.S. The album stayed on the charts for over a year, peaking at number four and eventually selling over three million copies; a live version of "I Want You to Want Me" became their first Top Ten hit. Later that year, the group released their fourth studio album, Dream Police, which followed the same stylistic approach of Heaven Tonight. It also followed At Budokan into the Top Ten, selling over a million copies and launching the Top 40 hit singles "Voices" and "Dream Police." In the summer of 1980, the group released an EP of tracks recorded between 1976-1979 called Found All the Parts.

Following the recording of the George Martin-produced All Shook Up, Petersson left the group in the summer of 1980 to form a group with his wife, Dagmar; he was replaced by Jon Brant. Released toward the end of 1980, All Shook Up performed respectably, peaking at number 24 and going gold, yet the single "Stop This Game" failed to crack the Top 40. One on One, the group's seventh album and the first recorded with Brant, appeared in 1982. Although it peaked at number 39, the record was more successful than All Shook Up, eventually going platinum. Nevertheless, the group was entering a downhill commercial slide, despite the fact that its music was becoming increasingly polished. Next Position Please, released in 1983, failed to launch a hit single and spent only 11 weeks on the charts. Standing on the Edge (1985) and The Doctor (1986) suffered similar fates, as the group was slowly losing its creative spark.

Petersson rejoined the band in 1988 and the group began working on a new record with the help of several professional songwriters. The resulting record, Lap of Luxury, was a platinum Top 20 hit, featuring the number one power ballad "The Flame" and a Top Ten version of Elvis Presley's "Don't Be Cruel." Busted, released in 1990, wasn't as successful as Lap of Luxury, peaking at number 48 and effectively putting an end to the group's commercial comeback. Cheap Trick signed with Warner Brothers in 1994, releasing Woke Up With a Monster; the record spent two weeks on the chart, peaking at 123. That same year, Epic Records released a sequel to At Budokan, Budokan II. Compiled from the same shows as At Budokan, the record provided an effective reminder of why the group was so popular in the late '70s, not only for the public, but for the band as well.

In 1995, Cheap Trick asked to leave Warner after the label's chief executives, Lenny Waronker and Mo Ostin, departed. Then the band decided to go back to the basics. Several alternative rockers who were influenced by Cheap Trick gave the band opportunities to restore its reputation. The Smashing Pumpkins had the band open their tour in 1995 and the group played several dates on the 1996 Lollapalooza Tour. That same year, the box set Sex, America, Cheap Trick appeared to good reviews and the band signed with the fledgling indie Red Ant-Alliance. Early in 1997, the group released a Steve Albini-produced single on Sub Pop, which was followed by Cheap Trick, their acclaimed debut for Red Ant-Alliance, in the spring. Unfortunately, Red Ant-Alliance filed for bankruptcy seven weeks after the album's release, sadly putting a sudden halt on the group's building comeback momentum.

On April 30, 1998, the group began a four-night Chicago stay, devoting each show to reprising one of their first four albums in its entirety; the dates later yielded a 1999 live LP, Music for Hangovers, issued on their own Cheap Trick Unlimited label. A band-authorized hits collection followed in 2000. (See the band's official website for more information: www.cheaptrick.com.) By the dawn of the new millennium, Cheap Trick were still without a label, but had retained their loyal following as they kept touring the world (surprisingly, Cheap Trick turned down an offer to open up for their old pals Kiss on the masked quartet's farewell tour of arenas and amphitheaters in 2000), as another live set saw the light of day in 2001. Entitled Silver, the double-disc set (and companion DVD) was a fine document of a star-studded and career-spanning 25th anniversary show from August 28, 1999, in their hometown of Rockford, IL. The band also recorded a studio album, released in 2003 as Special One. It was followed in 2006 by Rockford. ~ All Music Guide

Members include Bun E. Carlos (born Brad Carlson, June 12, 1951, in Rockford, IL), drums; Rick Nielsen (born December 22, 1946, in Rockford, IL), guitar; Tom Petersson (born May 9, 1950, in Rockford, IL), bass; and Robin Zander (born January 23, 1952, in Loves Park, IL; joined group, 1973), vocals.

Group formed by Zander as the Boyz in Rockford, IL, mid-1960s; name changed to Fuse, late 1960s; released debut album (as Fuse), 1969; band relocated to Philadelphia, PA, and changed name to Sick Man of Europe, early 1970s; returned to Rockford, added vocalist Zander, and adopted name Cheap Trick, 1973; released self-titled debut album on Epic, 1977.

Addresses: Record company—Warner Bros., 3300 Warner Boulevard, Burbank, CA 91505.

Album: (Produced by Epic, unless otherwise noted)
Cheap Trick, 1977.
In Color, 1977.
Heaven Tonight, 1978.
Dream Police, 1979.
Found All the Parts (EP), 1980.
All Shook Up, 1980.
One on One, 1982.
Next Position Please, 1983.
Standing on the Edge, 1985.
The Doctor, 1986.
Lap of Luxury, 1988.
Busted, 1990.
Woke Up With A Monster, Warner Bros., 1994.
Cheap Trick, Red Ant, 1997.
Special One, Big3, 2006.
Rockford, Big3, 2006.
The Latest, Cheap Trick Unlimited, 2009.

Source: Stephen Thomas Erlewine & Greg Prato ; Joseph M. Reiner

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In their small snowy country of Norway, members of the 1980s super group A-ha are considered close to royalty. The pretty boys of Oslo were the first Norwegian band to make it big in pop-music. By the end of 1980s, they had amassed numerous awards and platinum albums.

Two of the band members, Magne Furuholmen and Pal Waaktaar, grew up in Oslo. Their first band together, Spider Empire—formed in 1977—was heavily influenced by the music of the Doors and Jimi Hendrix. Spider Empire evolved into another band called Bridges in 1979 and took on a bassist and drummer. Soon they released their first album, Fakkeltog —Torchlight Procession—on their own label, Vakenatt. The Bridges were working on their second album when Morten Harket entered the scene. Influenced by the falsetto of Freddy Mercury of Queen, Harket had been singing in other Oslo bands.

After deciding to work together, the band, with Harket on lead vocals and Furuholmen writing many of the lyrics, the band began tossing around ideas for a new name. They decided upon A-ha because, as Furuholmen explained, it was easily memorized and familiar exclamation in any language. "Originally, we were trying to find a Norwegian word that people would be able to say in English. Eventually Harket spotted a song called "a-ha" in Waaktaar's song notebook. It was a terrible song, but a great name. I mean, you say it, a-ha, all the time," Furuholmen said online. 

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In 1982, the band began changing its tune and started working on becoming a more commercial, synth-pop sounding band, like pop kings Duran Duran. The trio began looking toward England for a record label to offer them a contract. Even with their chiseled good looks and snappy sound, success would take a while.

983 was to be the dawning for the Norwegian music marvels. After ringing in the new year by relocating to London in January, the trio managed to purchase some recording time at Rendezvous Studios. One demo, "Lesson One," caught the ear of John Ratcliff, manager of the recording studio. Ratcliff in turn played it for Terry Slater, a former record company executive who once worked with the Everly Brothers. Slater was so impressed with the band that he agreed to manage the trio immediately and arrange a series of influential auditions.

As a Christmas present for their families and compatriots, A-ha brought home a worldwide contract with Warner Bros. Records. The first album Hunting High and Low, included the single "Take On Me." Released in early 1984, it was re-worked version of "Lesson One." The band experienced a successful Norwegian debut, but failed to reach audiences over in England and abroad. Only 300 copies of the album were sold outside its native Norway. In 1985, the band, at the urging of Slater, remixed and re-released the single.

During the summer of 1986, Warner Bros. Records decided to invest some money on a revolutionary video for the struggling band. "Take On Me," directed by Steve Barron, was a charcoal animation of the band members was a fore-runner in semi-animated video-market. At the third MTV Music Awards in 1986, the video won for Best New Concept Video, Best New Artist Video, Best Special Effects, Best Direction, Most Experimental and the Viewers Choice awards, among others awards. According to the Encyclopedia of Rock Stars, it was a record number of wins by one act for both the fledgling ceremony and band. 

In 1986, A-ha released it's sophomore album, Scoundrel Days. Although less successful than Hunting High And Low, the album did include the hit single "Cry Wolf." A year later, the band was commissioned to create the theme song for the new James Bond movie, The Living Daylights. Their third album, Stay on These Roads, almost entirely written by guitarist Pal Waaktaar continued A-ha's popularity in England while marking its journey into obscurity in the United States. The album entered the English charts early in 1988 at number two.

After a two year holiday, A-ha released their fourth album, East of the Sun, West of the Moon, in November 1990. This new album shows a departure from the heavy synth-ladled albums of the past. In 1991, after a string of little noticed singles,, A-ha released a six year retrospective album entitled Headlines and Deadlines, The Hits Of A-ha. 

During the fifth annual World Music Awards, the darlings of Norwegian pop music were named Best Selling Norwegian Artist of the Year two years in a row 1992-93. In 1993, the band releases Memorial Beach, which featured the single "Dark Is the Night." More than previous A-ha albums, this album highlighted the talents of the other band members including new members bassist J.B. Bogeberg and Per Hillestad on drums. Much of the album reflects time spent in America.

After feeling "spent out" artistically, the band took a two year sabbatical according to an online interview at http://www.wwiv.com/a-ha/a-ha-faq.html. The trio decided to pursued individual artistic challenges. Furuholmen co-wrote the soundtrack for the Norwegian movie Ten Knifes in the Heart, which world premiered in 1994. He also created a wood carving for the cover design for the album Songs from the Pocket, a solo project of his fellow tour mate J.B Bogeberg. During this time apart, the band did regroup to record "Shapes That Go Together, " theme song for the 1994 Special Olymics that were held in Lillehammer, Norway.

Harket recorded the Frankie Valli hit "Can't Take My Eyes Off Of You" for the Coneheads soundtrack in 1983. The movie was directed by Steve Baron, the gentleman behind the record shattering "Take On Me video." In 1995, Harket released Wild Seed, his first solo album with Warner Brothers Records International. In 1996, Pal Waaktaar also released an album with Warner Brothers Records International. With his band Savoy, he released Mary is Coming in early 1996 in Europe and the United States writing all the songs on the album.

For The Record:

Members include Magne Furuholmen (born November 1, 1962), keyboards, vocals; Morten Harket (born September 14, 1959), lead vocals; and Pal Waaktaar (born September 6, 1961), guitar, vocals. 

Group formed in 1977 as Spider Empire, changed name to A-Ha in 1982. Released debut album Hunting High and Low on Warner Bros. Label, 1986; other releases on the Warner Bors. Labes include: Scoundrel Days, 1986; Stay on These Roads, 1988; East of the Sun, West of the Moon, 1991; Headlines & Deadlines, The Hits of A-Ha, 1991; Memorial Beach, 1993. Contributed "The Living Daylights" for soundtrack of the same name, 1987. 

 Awards: MTV Video Awards for Best New Concept Video, Best New Artist Video, Best Special Effects, Best Direction, Most Experimental and Viewers Choice Awards, all in 1986.

Address: Record company—Warner Bros. Records, 10907 Magnolia Blvd., Box 419, North Hollywood, CA.

Source: Gretchen Monette

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