psychedelic pop
XTC
XTC was one of the smartest -- and catchiest -- British pop bands to emerge from the punk and new wave explosion of the late '70s. From the tense, jerky riffs of their early singles to the lushly arranged, meticulous pop of their later albums, XTC's music has always been driven by the hook-laden songwriting of guitarist Andy Partridge and bassist Colin Moulding. While popular success has eluded them in both Britain and America, the group has developed a devoted cult following in both countries that remains loyal over two decades after their first records.
Partridge, Moulding, and drummer Terry Chambers formed the first version of the band around 1976, calling themselves Star Park. As punk rock took off in 1977, the group changed their name to Helium Kidz and added keyboardist Barry Andrews. After being turned down by CBS Records, the band changed their name to XTC and secured a record contract with Virgin; they released their first EP, 3-D, in October of 1977. White Music, the band's first full-length album, was recorded in a week and released by the end of the year. Critics praised the angular yet melodic pop, and the album reached number 38 in the U.K. charts. However, none of the singles released from the album charted (including "This Is Pop"), nor did "Are You Receiving Me?," the teaser single for their second album, Go 2 (1978).
After returning from a brief U.S. tour, Andrews quit the band; he would eventually form the League of Gentlemen with Robert Fripp, as well as pursue a solo career. Guitarist David Gregory was added to the lineup after Andrews' departure and the group recorded their first charting single, "Life Begins at the Hop." XTC released their third album, the calmer, more pop-oriented Drums and Wires, that summer; the record climbed to number 37 on the charts, thanks to the hit single "Making Plans for Nigel." While Drums and Wires began to climb the U.S. charts, Partridge released his first solo album early in 1980; outside of the band's devoted fans, the record appeared without much fanfare.
XTC continued to smooth out their edges on 1980's Black Sea, bringing in elements of mid-'60s Beatles and Kinks to their guitar-driven pop; thanks to the singles "Generals and Majors" and "Towers of London," it was the group's most successful American album, peaking at number 41 while reaching number 16 on the British charts. Released the following year, English Settlement featured more complex arrangements, as well as more intellectual lyrics, particularly from Andy Partridge. Nevertheless, the album was XTC's biggest success in the U.K., reaching number five on the album charts and launching the Top Ten single, "Senses Working Overtime."
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While on tour in March of 1982, Partridge collapsed while on-stage, suffering from exhaustion. Less than a month later, he collapsed again with a stomach ulcer. The band canceled the tour shortly after his second collapse, prompting Chambers to leave the group. In November, Partridge announced that XTC would never play live again, concentrating on recording instead; he also blamed his collapses on intense stage fright. As the band completed their new album, a compilation called Waxworks -- Some Singles (1977-1982) was released at the end of the year.
Mummer, the first album the studio-bound XTC recorded, appeared in the summer of 1983; former Glitter Band member Pete Phipps recorded the drum tracks for the record. XTC refused to tour for the record, which caused some tension between the band and Virgin, and was presumably the reason why "Love on a Farmboy's Wages" didn't make it past number 50 on the charts. Recording under the name the Three Wise Men, the group released the holiday single "Thanks for Christmas" at the end of the year.
Released in the fall of 1984, The Big Express essentially followed the same pattern as Mummer, yet it charted higher in the U.K. XTC released a psychedelic parody album, 25 O'Clock, under the name the Dukes of Stratosphear in 1985. After a difficult recording session with producer Todd Rundgren, the pastoral Skylarking appeared in the fall of 1986. Upon its release the album was hailed as a masterwork by critics, even though the band were claiming they were unsatisfied with the production. Skylarking was a bigger hit in the U.S. than it was in the U.K., spending over six months on the charts and peaking at number 70.
XTC recorded another Dukes of Stratosphear album, Psonic Psunspot, in 1987; the two Stratosphear albums were collected on one disc the following year. Oranges and Lemons (1989) reworked the psychedelia of the Stratosphear side-project, leaving out much of the loopy humor and replacing it with a Ray Davies-inspired nostalgia. The album was a minor hit in both Britain and America, reaching number 28 and number 44, respectively; "Mayor of Simpleton" became XTC's only charting U.S. single, reaching number 72 while peaking at number 46 on the British charts. Three years later, the group released Nonsuch, an album that recalled both Pet Sounds and Revolver. Like every XTC record, its critical acclaim was greater than its sales -- the album dropped out of the British charts after two weeks. In America, Nonsuch was more successful, reaching number 97 and staying on the charts for 11 weeks. Years of internal difficulties and label battles kept the group from releasing any new material for much of the decade, however, and not until 1999 did the next XTC album, Apple Venus, Pt. 1, finally appear. Wasp Star (Apple Venus, Pt. 2) followed in mid-2000.
XTC's lack of commercial success isn't because their music isn't accessible -- their bright, occasionally melancholy, melodies flow with more grace than most bands -- it has more to do with the group constantly being out of step with the times. However, the band has left behind a remarkably rich and varied series of albums that make a convincing argument that XTC is the great lost pop band.
Original members include Terry Chambers (left group 1982), drums; Colin Moulding (born in Swindon, England, 1956), bass, vocals, keyboards; and Andy Partridge (born in Malta, 1954), guitar, vocals, keyboards; later members include Barry Andrews (band member 1977-1979), keyboards; Dave Gregory (joined group 1979), guitar, keyboards; and John Perkins (left group 1977), keyboards.
Band formed in Swindon, England, 1976; originally called the Helium Kidz; signed with Virgin Records, 1977, and released 3D-EP-, released debut album, White Music, 1978; signed with Geffen Records, 1983; released Mummer, 1983; recorded two records, 25 O'Clock, 1985, and Psonic Psunspot, 1986, as the Dukes of Stratosphear.
Addresses: Record company—Geffen Records, 1755 Broadway, 6th Floor, New York, NY 10019.
Albums: (all records produced by Virgin Records unless noted)
White Music, 1978.
Go 2, 1978.
Drums and Wires, 1979.
Black Sea, 1980.
English Settlement, 1982.
Mummer, 1983.
The Big Express, 1984.
25 O'Clock, 1985.
Skylarking, 1986.
Psonic Psunspot, 1987.
Oranges and Lemons, 1989.
Nonsuch, 1992.
Apple Venus Volume 1, Cooking Vinyl, 1999.
Wasp Star (Apple Venus volume 2), Cooking vinyl, 2000.
Source: artistdirect.com; Simon Glickman
This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com
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THE MONKEES
In 1966 the movie A Hard Days Night about The Beatles, ostensibly a free ranging light hearted romp following the ‘mop tops’ on tour, inspired Don Kirshner to create a similar group of witty and lovable lads, to star in a television series The Monkees.
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He recruited three Americans and one Brit, Micky Dolenz, Peter Tork, Mike Nesmith and Davey Jones. With limited musical experience, most of the tracks were recorded by session musicians, with The Monkees adding the vocals. The songs were written by various writers including Neil Diamond, Goffin and King and Bobby Hart.
The TV series was a success in the USA and UK and indeed the first album 'The Monkees' sold over 4 million copies.
The Monkees demise is often put down to their demands to write their own songs, and indeed did record tracks written by Dolenz. Although they eventually fell out with Kirshner, they continued to record for a couple of years until 1970.
Members of the band have had successful independent careers.
The Monkees reform occasionally but fail to make the comeback some other heritage bands have achieved, although their reissued cds sell well.
This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. If however you have a story or information that is not generally known we would love to hear from you. Content@rokpool.com
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var uri = 'http://impgb.tradedoubler.com/imp?type(img)g(13850134)a(1705202)' + new String (Math.random()).substring (2, 11); document.write('THE SMALL FACES
Small Faces were an influential British mod/psychedelic band of the 1960s, led by Steve Marriott and Ronnie Lane with Kenney Jones and Ian McLagan (who replaced original organist Jimmy Winston). The Small Faces were all genuine East End mods and they ranked second to The Who as Britain’s premier Mod band. They were signed to Decca records initially and enjoyed major success across Europe between 1965 and 1967 with classic singles like “All Or Nothing” and “Sha-La-La-La-Lee” before moving to a new label.
By late 1967, the band had felt constricted financially & creatively by manager Don Arden (father of Sharon Osbourne), and were lured by Rolling Stones’ publicist Andrew Loog Oldham into signing with his new Immediate label. They soon recorded more expansive psychedelic sounding material including hit pop tunes like “Lazy Sunday” which was included with their UK number one classic concept album Ogdens Nut Gone Flake and “Itchycoo Park” which was their only stateside charting single.
The demise of the Small Faces arrived on New Years Eve 1968, when Steve Marriott walked off stage at The Alexandra Palace in London. Marriott felt that despite the success of the group, he was still not being taken seriously as a musician. He went on to achieve major status in the U.S.A with Peter Frampton in Humble Pie. The others continued as the Faces, opting to drop the “Small” after one LP as new recruits Rod Stewart and Ronnie Wood towered above their new band mates. Drummer Kenney Jones later joined The Who after the death of their drummer Keith Moon. As years went on, Marriott kept recording various lineups as Humble Pie but became somewhat of a caricature and casualty of rock excess. Tragically, Steve Marriott died in a house fire in 1991 and Ronnie Lane followed him in 1997 after a long battle with Multiple Sclerosis. Keyboardist Ian McLagan has continued to tour and record with his own band as well as with artists like Billy Bragg, The New Barbarians ( a group composed of Ian, Ron Wood, Keith Richards, Stanley Clarke, and Billy Cobham), and The Rolling Stones. According to announcements at the shows on the New Barbarians tour, the proceeds of the live gigs were going to pay Ronnie Lane’s medical expenses associated with Ronnie’s struggle with Multiple Sclerosis.
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The Small Faces remain one of British rock’s most important legacy acts, with their membership having links to so many other acts. Amongst the many bands they influenced were The Jam, Ramones, and Oasis.
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